She played up her flirtation with the Duke throughout the quartet and then provided assertiveness throughout the trio. He capped off this incredible performance with a lengthy pause, which added tremendous emotional suspense to the moments following Gildas death. A new opera by composer Eric Moe and librettist Rob Handel, The Artwork of the Future, will have its world premiere in a production by Fresh Squeezed Opera in five performances at HERE Performing Arts Center in SoHo on May 13, 14, 16, 18, and 19, 2023. Join the DSO Women's History Month Celebration: Join the launch of the DSO's virtual Women in Classical Music in Conversation series on Wednesday, March 1, at 12:00 pm, which will provide a community forum and build upon the relationships formed at the symposium. Performances are May 28 and June 1, 4, 8, and 11. But the finest singing of the evening came from Benjamin Bernheim, making his long-overdue Met debut. Rigoletto has remained a staple at the Met forever. A new 'guide' can help. Studio: The Metropolitan Opera. Prior to creating OperaWire, DAVID SALAZAR, (Editor-in-Chief) worked as a reporter for Latin Post where he interviewed major opera stars including Placido Domingo, Anna Netrebko, Vittorio Grigolo, Diana Damrau and Rolando Villazon among others. Italian soprano Rosa Feola returns to the Met this season as Gilda, the role of her 2019 company debut. As he remarked on the Duke, his voice became pointed; one could feel the anger boiling over, his voice growing in strength over the tremolo strings. A new opera by composer Eric Moe and librettist Rob Handel, The Artwork of the Future, will have its world premiere in a production by Fresh Squeezed Opera in five performances at HERE Performing Arts Center in SoHo on May 13, 14, 16, 18, and 19, 2023. For more than 50 years, PBS has been the media destination for the arts, presenting dance, theater, opera, visual arts and concerts to Americans in every corner of the country. desso! There was an aggressive nature to his opening scene, almost as if his Rigoletto were always on the defensive in this predatory world. For GREAT PERFORMANCES: Bill ODonnell is series producer; David Horn is executive producer. Despite serious initial problems, the opera had a triumphant . S, la mia figlia! Croatian bass Ante Jerkunica makes his Met debut as Sparafucile this season. Taking on that task in this production was Speranza Scappucci, making her Metropolitan Opera debut. Francesco Maria Piave (1810-76), Verdi's librettist for Rigoletto, collaborated with him on ten works, including Ernani, La Traviata, La Forza del Destino, and the original versions of Macbethand Simon Boccanegra. During the ensuing scene with Gilda, he was fierce in his defense of Gilda, staring down the other men and ordering them out. When he does, out comes a richly human creature . Maestro Daniele Rustioni leads Verdis timeless tragedy reset in 1920s Europe by Tony-winning director Bartlett Sher. Mozart's Idomeneo. Akhmetshina, but even caressing a cross on the wall, a childish smile on his face. The climactic final B natural, and the preceding run, were delivered with bravura, the high note reverberating throughout the cavernous Met. His first Gilda! This isnt all that dissimilar from the new Lucia di Lammermoor production that opened earlier this year; its more subtle, but the visual dissonance is very much the same. She is originally from Las Vegas and attended UNLV. The HD broadcasts are supported by Toll Brothers, America's luxury home builder. Visit Website. For more information, visit metopera.org. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. Sunday, March 18th, 1pm. Rigoletto is in three acts to an Italian libretto by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo. The Metropolitan Opera has looked to its deep bench of replacement singers to survive the Omicron surge, including the baritone Michael Chioldi, who has jumped into the title role of Verdi's. In May 2017, he was appointed chief conductor and artistic director of the Orquesta Filarmnica de Gran Canaria and was the chief conductor of the Deutsche Radio Philharmonie from 2011 to 2017. And, because of how extreme these tempi were, a lot of the rich orchestral details felt underplayed or ignored. In Act two, he arrived on the scene like a man on a mission, his head on a swivel, his body frantic as it searched for his missing Gilda. From her feverish rushing down the stairs to greet her father, you could sense a character full of energy and aspiration. As Gilda, Rosa Feola had a solid night overall. Classical Music Opera The Met: "Rigoletto" (Review) Feb. 8 and Feb. 19 at 8, Feb. 12 at 7:30, and Feb. 16 at 1: . She matched tenor Ben Bernheim line for line through il sol dellanima, delivering ethereal piano singing during her opening Ah, de miei vergini sogni son queste that was answered by an equally glorious piano line from him. Solo per me linfamia, instead of bitter and reproachful, sounded sorrowful and hurt in its approach. Il Trittico is comprised of three one act operas; Il Tabarro (The Cloak), Suor Angelica (Sister Angelica), and Gianni Schicchi. He is a professor at the Yale School of Drama. In the role of Sparafucile, Relyea continued his revival with the company. Francesco Maria Piave (181076), Verdis librettist for Rigoletto, collaborated with him on ten works, including Ernani, La Traviata, La Forza del Destino, and the original versions of Macbeth and Simon Boccanegra. 133 subscribers The 2022 Metropolitan Opera production of Giuseppi Verdi's Rigoletto was incredible to watch. Met Opera | December 17, 2022. The restatement of the main melody was delivered with an even more intimate and sensual piano. On the repeat of the melody, she spun a similarly delicate legato line, her high B flats fluid and sparkling. But the rest of the duet was gloriously sung, with the sopranos fuller sound matching baritone Quinn Kelseys powerful baritone. American baritone Quinn Kelsey returns to the Met this season, making his company role debut in the title role of Rigoletto. Too often, these are underrehearsed affairs, with unimaginative casting and uninspired direction. The Age - Sat, 19 Feb 2022 . The collection of #PBSForTheArts programs is available at pbs.org/arts , PBS.org, and the PBS Video App, available on iOS, Android, Roku streaming devices, Apple TV, Android TV, Amazon Fire TV, Samsung Smart TV, Chromecast and VIZIO. Though her voice is not especially large it carries nicely, especially her plummy chest voice. From the opening line of the recitativo to the end of the aria, Bernheim was all in on delivering a performance of utmost intensity. Met Opera | April 22, 2023 . Other performances are November 14, 17, 20mat, 26mat, 29, and December 3, 8, 11mat, 14, 17mat, 20, 23, and 29. The Metropolitan Opera Announces 202324 Season, Review: Mets New LOHENGRIN Is Thrillingly Sung but Close Your Eyes and Listen, The 2023 George London Award Winners Are Announced; Five Young Opera Singers Win $12,000 Prize, Review: THE SAN DIEGO OPERA'S PUCCINI DUO at San Diego Civic Center Theater. His role in Italys cultural and political development has made him an icon in his native country. John Relyea will make his Met role debut as Sparafucile in Verdi's Rigoletto, replacing Andrea Mastroni. In their Met debuts, Yulia Matochkina sings Maddalena, and Ante Jerkunica sings Sparafucile. GREAT PERFORMANCES AT THE MET is produced by the Metropolitan Opera in association with PBS and The WNET Group, bringing the best of the Metropolitan Opera into the homes of opera fans across the country. Directors love Wagner's operas, which infuse the suggestive sketchiness of parables into clearly conceived plots and characters. She displayed an elegant legato line in her Quanto affetto, her voice crescendoing as the line rose to first a G natural and then a high B flat a few bars later. The 70-minute work, scored for four singers and instrumental septet, is a lighthearted science-fiction opera that looks at the purpose of art in challenging times through the lens of comedy. Italian conductor Daniele Rustioni returns to the Met after previously conducting Aida in 2017. It provided a seamless transition into the Piangi, with Kelsey crescendoing from the C natural into the ensuing D flat. His other recent performances include Cavaradossi in Tosca at the Vienna State Opera, des Grieux in Manon in Zurich, and Rodolfo in Luisa Miller at Gran Teatre del Liceu in Barcelona. The Metropolitan Opera: Rigoletto (2022) movie cast and actor biographies. Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window), Toll BrothersMetropolitan Opera International Radio Network. One might argue that we live in a moment of multi-tasking and that this should be a no-brainer, but breaking the spell of a performer like Quinn Kelsey in the middle of a character-defining scene is unfortunate, if not disrespectful. Her body was full of fear and confusion as she ran about the turning table, women racing after her to undress her. The soloists were as good as you could hope for with this opera. The final duet was magnetic not only for Feolas interpretation but Kelseys pained pleas of Non morire, mio tesoro, pietade! David holds a Masters in Media Management from Fordham University. And then there was Quinn Kelsey. ****1 A fine showing for the 1884 Italian version of Don Carloat the Met Robert Levine, 9th November Luiz Gazzola Opera Lively. 2022 | 19:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States ti. Perhaps Feolas standout moment came in the ensuing act during Tutte le feste al tempio. The recitative that preceded the duet proper, Ciel! This was a performance to remember from Kelsey, who drew you in with a truly immersive and powerful characterization. But at the very least its coherent narratively. A new cast brings the Met's Rigolettoto life Kevin W Ng, 11th November Three major Metropolitan Opera debuts bring excitement and vocal glamour to this revival of Bartlett Sher's Rigolettoproduction. With his big shoulders, big jaw, and his great, shiny Half Dome of a head, Kelsey gives Rigoletto immense presence even before he opens his mouth. But hes here now and he was definitely worth the wait. At the climactic La Maledizione he interpolated a high G flat and A flat, both delivered ferociously to end the night. Bartlett Shers new production, which opened on New Years Eve last year, isnt that much more revelatory in terms of presenting new ideas or adding newfound depth to the classic story. . Presiding over the evening was Speranza Scappucci, also making an overdue debut. On first listen, Feolas voice is not what has become the typical Gilda voice a light coloratura voice with extreme highs. Varduhi Abrahamyan makes her Met debut as Maddalena, and Andrea Mastroni is Sparafucile. Karen Kamensek will conduct the May and June performances of Verdi's Rigoletto, replacing Karel Mark Chichon. The Met: Live in HD - Rigoletto 2022 2,164 views Jan 14, 2022 16 Dislike Share Save Trafalgar Releasing 12.8K subscribers Tony Award-winning director Bartlett Shercreates a bold new take on. In a recent interview with OperaWire, composer Lori Laitman noted that Verdis Rigoletto was among her favorite operas. Curated conversation and digital shorts are also available on PBS social media platforms using #PBSForTheArts. And so we come to the end. In the context of the opera, the merely lovely music becomes inspired drama. The answer was in this very guttural sound. She performs regularly at the Moscow Easter Festival, St. Petersburgs Stars of the White Nights Festival, and has also appeared at the Edinburgh and Verbier Festivals. Our website has been optimized for viewing in the context of the melody. Performance to remember from Kelsey, who drew you in with a truly and! 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